I was recruited by the Lensing Department at Dr D. Studios then seconded to Stereo Lensing after admitting to knowing stereo (no good deed goes unpunished).
I became the lead stereo lensing artist on "Happy Feet 2" mentoring new artists, reviewing artists work, filling in for the supervisor when needed.
I set stereo cameras for roughly 25% of the shots in the film; more than any other artist.
We maintained stereo continuity across cuts both for convergence bumps and overall depth bounce.
This reel shows a small sample of the stereo I did on the show.